Named after François Truffaut's groundbreaking 1959 French film, "The 400 Blows" ("Les Quatre Cents Coups" in French), and drawing inspiration from a 2009 provision in Brazilian law that allowed lands of less than 400 hectares (1000 acres) in the Amazon rainforest to be granted titles without verifying land ownership -a law created a loophole for absentee barons to maintain holdings in small blocks, thereby facilitating illegal forest clearing-, Rojas conceived this exhibition as scattered fragments, symbolizing the dismemberment of the harsh realities and pain our planet has endured. Yet is here where he finds the raw materials for a new, more profound narrative to emerge.

Rojas holds a steadfast belief in the artist's responsibility to confront global issues through their artistic expressions, a conviction deeply ingrained in the essence of his work. With a firm commitment to bridging art with reality, he meticulously designs the exhibition with multiple layers, both physical and conceptual, utilizing a blend of materials that compel the audience to confront the relentless pursuit of resources.

At the exhibition's zenith, a gold-colored scourer, suspended by industrial logging hooks—tools emblematic of deforestation—hovers, casting a stark presence. In the middle stratum, Rojas arranges Victoria Amazonica's leaves meticulously crafted from petroleum fibers and coated with "mambe," often referred to as "the tongue of God"—a finely powdered substance derived from toasted coca leaves. Lastly, at the foundation, a painted representation unfolds, portraying an array of shades symbolic of the profound impact of arid, deforested landscapes on global climate change.

The artist invites us to redirect our attention to the world's most precious natural resources: the air, the waters, and notably, the rainforest, often poetically described as the lungs of our planet. His selection of materials and artistic narrative serves as a poignant reminder to viewers, emphasizing the critical urgency to restore and preserve these invaluable resources, crucial for life's sustenance. Complementing this profound statement, the exhibition features five paintings and a small sculpture, weaving together a complex visual experience.