Artworks

Liliana García

Cama

Oak wood

150 x 300 x 150 cm

2020

Liliana García

Silla espaldar 2

Oak wood

98 x 46 x 41 cm

2023

Liliana García

Cajonera 1

Oak wood

95 x 167 x 40 cm

2020

Liliana García

Piso

Concrete

9 7/8 x 9 7/8 in./ variable height

2021

Liliana García

Silla Azul I & II

Wood, foam, fabric, paint and sand

75 x 85 x 80 cm ea.

2020

Liliana García

Inventario de acciones cotidianas

Dali paper and adhesive vinyl

Closed: 11,5 x 11,5 cm | Open: 5 x 30 x 120 cm

2019

Liliana García

Peine 1

Stainless steel

7 x 20,5 x 2 cm

2019

Liliana García

Cepillo 1

Steel and wood

10,5 x 10,5 x 23 cm

2019

Liliana García

Chanclas 1

Iron and plastic

4 x 28 x 32 cm

2018

Liliana García

Hidrante 1

Iron and electrostatic paint

120 x 150 x 25 cm

2022

Liliana García

Hidrante 2

Iron and electrostatic paint

50 x 35 x 150 cm

2022

Liliana García

Bolardo 1

Iron, electrostatic paint and concrete

150 x 100 x 6 cm

2022

Liliana García

Bolardo 2

Iron, electrostatic paint and concrete

105 x 80 x 6 cm

2022

Liliana García

Bolardo 3

Iron, electrostatic paint and concrete

45 x 150 x 114 cm

2022

Liliana García

Bolardo 4

Iron, electrostatic paint and concrete

90 x 100 x 6 cm

2022

Liliana García

Pared papel de colgadura

Resin and fiberglass

Variable measurements

2022

Cama
Silla espaldar 2
Cajonera 1
Piso
Silla Azul I & II
Inventario de acciones cotidianas
Peine 1
Cepillo 1
Chanclas 1
Hidrante 1
Hidrante 2
Bolardo 1
Bolardo 2
Bolardo 3
Bolardo 4
Pared papel de colgadura

Artist

Liliana-Garcia_Artista.jpg

Liliana García

Liliana García (Medellín, Colombia. 1977) develops her research and creation processes in the field of visual arts, exploring questions that address relationships with space and objects. In particular, the artist focuses on bodies that present physical alterations and, for this reason, perform some of their functions differently from the average population, something that, in turn, places them outside the statistical norm.

In the initial phase, García collects life experiences through bibliographic reviews of individuals who have experienced functional diversity and who have decided to publicly share their testimonies. From these accounts, questions arise about the dimension of the other who moves differently, leading to the creation of objects and spaces that exist outside of normalization and enable new perspectives on what is considered functional.