Adam Goldstein's works go beyond the purely visual, by managing to fit the infinite within the limited. Reminiscent of the purest trends of abstraction from the twentieth century, the artist works with light and color, elements that since then, shape the ethereal dimension of the abstract and act as dynamic layers of matter that merge the mysterious depth with the obvious surface. Color is used by Goldstein as a mediation between these complex layers of matter and, by entering into dialogue with the changing light, reveals the poetic instant that is accessed.

Goldstein works primarily with oil paint using a singular technique that allows him to experiment randomly with light and color in search of the supremacy of the flat, and to harmonize saturation in such a way that the color becomes a light body swaying between waves of light. The sum of the superimposition of layers of colors, of the very slight blurring of the strokes and the indeterminacy between one color and another, generates points where the indistinction between one color and other forms a kind of threshold and the illusion of an invisible painting, an immaterial sensory instance to which the observer is carefully guided.

The rhythmic work with which the artist pours and distributes the dense layers of color on the canvas gives each work the value of a dance that gravitates from one side of the surface to the other. In this dance, in which light and color are sustained, the spectator's gaze crosses the dimension of the material and manages to connect with the intangible.

"Color plays a very interesting part in the brain itself and it is this rational and analytical part that connects with our emotional part. When there is a balance between the rational communication of how these elements or components of the painting are distributed, they are reflected in the emotional part, the contemplative, and in the meditative part of how these elements are placed. They are paintings that do not reveal their intention in a direct way or in a principal way. I think one has to sit, observe and see what happens in them".